The disarming smile came into action in the Shabdam which with Kambhoji as the main base raga went into short sequences in Todi, Kalyani and Surati. Conducting the recital with the assertive Nattuvangam power was Geeta Chandran with Venkateshwaran’s vocal support combining classical purity with involved melodic richness.S. Set to Satyanarayana Maharana’s music in raga Bairagi and Jati tala, the dance composition, with fleeting nritta flashes between interpretative passages was interestingly paced. Leela recollected the trepidation with which she and her ilk went through their respective debuts with giants and acclaimed gurus conducting the China mold parts Manufacturers recital.The Odissi departure in this pure Bharatanatyam scenario was made by Madhyama Segal, Sangini and other students of Pallavi the institution run by Kiran Segal. Preeti Mahesh’s interpretation of the Oriya lyric “Batto Chhado suhato nagaro Jamuna Jibi Neera Aniki. The concluding note was the Tillana in Rageshri.

This arangetram for a change, exemplified what this occasion should be — with friends, well-wishers, old school and college teachers of the dancer — exuding a sense of fulfillment for the student, her family and the teacher who had passed on what she had had been given by her acharya to a deserving student. The post-varnam pure abhinaya part comprised Vaideeshwaran Koil Subbaramaiyer’s Padam “Aduvum Solluval” in Saurashtram. Raghuraman, (hailing from a family of Nattuvanar/musicians) she still recollected the image of the young boy in half pants attending concerts.Preethi Ramaprasad a student of Sudharani Raghupathy, residing in the United States, in her Bharatanatyam presentation at the Stein auditorium faced the disadvantages of a very scanty gathering and sound arrangements which made the tape to which she danced sound muffled, taking away from the impact of experienced musicians singing compositions of late Madurai N.

“Rase Harimiha vilita vilasam” the Ashtapadi, presented as a solo by Madhyama Segal, portrayed Radha, lonely in her separation from Krishna, recapturing the old memories when she ecstatically danced with Hari. Preethi mentioned working closely with her teacher Sudharani while conceiving the sancharis for this line, and she has had Priya Murali a senior disciple of Sudharani as her mentor. The group rendition of Dashavatar, danced with great enthusiasm, had some neatly worked out group formations for each avatar – though Prashant Mangaraj’s vocal support flagged towards the last stages in sruti alignment and sur faithful singing. What was called Thai Naach, (which acquires the form of Batu in the Kelucharan school, of Sthai in Debaprasad school of Odissi and Thei ghara Nata in the Pankajcharan school) with all the stances and typical postures sculpted on Odissi temples, rendered by a multiplicity of dancers had group discipline, amidst individual differences.. And then there was the very talented violinist G. 

Megosztás a facebookon

Santosh Babu to set the anatomy on a computer so they could prepare a mock-up model for him. Santosh Babu,” he adds. Interestingly, the fibre-cloth statue has been made using digital sculpting technology, apparently a first for the country.For services renderedThe making of the statue was commissioned by Tanguturi Ramakrishna, president, World Arya Vysya Seva Mahasabha, and Eagan Dayakar Gupta, president, Suryapet District, to renowned sculptors the Vadayar Brothers of AK Arts from Nattarameswaram, West Godavari District, in Andhra Pradesh.“We chalked out the first mould in Plaster-of-Paris (PoP), and then made a clay model and converted it into fibre cloth,” elaborates Arun Prasad. Col.01 microns meaning a high life-like resemblance which is as close and accurate as one can get with statues.Talking of how the family has been receiving hundreds of letters from the people from various states hailing Santosh’s sacrifice while praying his family has the strength to carry through these difficult times, Mukhteshwar adds.

“We hope Santosh continues to inspire youth and instil patriotism among people.Arun Prasad Vadayar, one of the Vadayar brothers, shares with us that they received the order for the statue around June 20, a job they took up on priority and completed in two weeks.“Yes, the statue was for immediate delivery and we completed the task, as needed, as a mark of respect for Col. Apparently, Vadayar brothers are the only sculptors in the country to use the technology.Meanwhile, the martyred colonel’s brother-in-law Mukhteswar expressed his heartfelt thanks towards those who thought of keeping alive his brother’s memories. “Later, we mixed resin and papier-mâché and other ingredients in the desired ratio for the output. Santosh Babu’s services will be remembered and will serve to inspire others to dedicate themselves to the country,” Ramakrishna explains.”

Digital sculpting technology is used for high-quality art and level of detailing; in other words, the technology ensures that sculptors can make a statue of someone with a precision of 0. Santosh Babu was the commanding officer of the 16th battalion of the Bihar Regiment.Now, a community in Suryapet Town in the mold Die slide manufacturers Telangana State has decided to honour a brave-heart son of the soil, Colonel Bikkumalla Santosh Babu, who was martyred in the recent Galwan clashes against Chinese troops on June 15.Comprising friends and admirers of the martyred soldier, the community has chosen to build a statue for the martyred Colonel in Suryapet, his hometown.Proud relationsWhile the fibre-cloth statue will be unveiled in Suryapet a month later, a bronze statue on behalf of the Telangana State Government will be installed at a junction in Suryapet.

Megosztás a facebookon